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J.J. Nagel (2018) “Memory Slip:Stage Fright and Performing Musicians. Journal of the American Psychoanalytic  Association  - Aug. , Vol. 66/Issue 4, pp. 679-700

Texbook Chapter| Applied Psychoanalysis (Eds. Salman Akhtar, MD and Stuart Twemlow, MD)
Karnac Press, 2018

Julie Jaffee Nagel - Chapter  32  Music and Psychoanalysis
(chapter includes original conversation between Mozart and Freud)

WEMU creative:impact| March 2018

Interview with Dr. David Wagner, WQRS | February 2018

It's Healthy to Talk About Stage Fright | 11.2.17 | 88 Piano Keys

Managing Stage Fright With Mindfulness | 12.10.17 | Bruce Langford's Mindfulness Mode podcast

10 Ways to Kill Stage Fright | 12.21.17 | New Rockstar Philosophy website

Managing Stage Fright: A Guide for Musicians and Music Teachers. Oxford University Press, (Oxford University Press 2017).

Clavier Companion, Contributing Editor (2014-present)  “Mind Matters”  - column in every issue.

The Huffington Post, Contributing Editor (2017-present)

Nagel, J.J. (2016) The Orlando Requiem (Free Associations” and “The American Psychoanalyst”)  -and article describing the performance of Mozart’s Requiem that was performed on 48 hours notice following the Orlando Massacre.  I sang as a member of the chorus.

Jumping the Candlestick (2014), Interview with Deborah Diesen

Nagel, J.J. (2013) "Melodies of the Mind: Connections Between Psychoanalysis and Music". Routledge Press, London and New York.

Nagel, J.J. (2011-present) Blog, "Music to My Ears" on Psychology Today website

Nagel, J.J. (2010) Melodies in My Mind: The Polyphony of Mental Life.  (Gertrude and Ernst Ticho Memorial Lecture, delivered Washington, D.C., June 11, 2010) Journal of the American Psychoanalytic Association, Vol. 58, No. 4, Aug. 2010, pp. 649-662.

Nagel, J.J. (2010) Treatment of Music Performance Anxiety  via Psychological Approaches (A Review of Selected CBT and Psychodynamic Approaches). Medical Problems of Performing Artists, Vol. 25, No. 4, Dec. 2010, pp. 141-148.

Nagel, J.J. (2010)  Bernstein Beyond the Couch and Concert Hall. Prelude, Fugue, and Riffs (News for Friends of Leonard Bernstein, Spring/Summer), p. 7.

Nagel, J.J. (2010) Collaboration Between the Couch and the Concert Hall. The American Psychoanalyst (TAP). Spring/Summer, Vol. 44, No. 2, Spring/Summer, pp. 12-28.

Nagel, J.J. (2010) Psychoanalytic and Musical Ambiguity: the Tritone in "Gee, Officer Krupke". Journal of the American Psychoanalytic Association, 58/1; pp. 9-25.

Nagel, J.J. (2009) Letter to the Editors, International Journal of Applied Psychoanalytic Studies. Vol 6., No. 4, pp. 361-362.

Nagel, J.J. (2009) How to Destroy Creativity in Music Students: the Need for Emotional and Psychological Support Services in Music Schools. Medical Problems of Performing Artists. Vol. 24, No. 1, March 2009, pp. 15-17.
Nagel, J.J. (2008) Book Review: "Violin Dreams" by Arnold Steinhardt. Journal of the American Psychoanalytic Association. Vol. 56, No. 4., pp. 1371-1376.

Nagel, J.J. (2008) Psychoanalytic and Musical Perspectives on Shame in Donizetti's Lucia di Lammermoor. Journal of the American Psychoanalytic Association, Vol. 56, No. 2, pp. 551-563.

Nagel, J.J. (2008) Psychoanalytic Perspectives on Music: An Intersection on the Oral and Aural Road. The Psychoanalytic Quarterly, Vol. 77, No. 2, pp. 507-530.

Nagel, J.J. Culture, Community, and Change (2008). Farmington Gazette. Feb. p. 16.

Nagel, J.J. (2008) Survival of Music and Arts is Critical to our Nation's Well-Being. Ann Arbor News, Jan. 27, 2008. A-16.
Nagel, J.J. (2007). Freud Meets Mozart on the Oral-Aural Road. The American Psychoanalyst (TAP), Vol. 41, No. 4, Fall/Winter, pp. 22:33.
(Pages 22 & 33)

Nagel, J.J. (2007) Convert Performance Anxiety into Performance Energy. Keyboard Companion. Winter, 2007. Pp. 38-39.

Nagel, J.J., (2007) Melodies of the Mind: Mozart in 1778. In The Aural Road Edition: American Imago. Vol. 64, No. 1, Spring, Johns Hopkins University Press, Baltimore, Md.pp. 23-36.

Nagel, J.J. (2006) Book Review. The Quiet Revolution in American Psychoanalysis: Selected Papers of Arnold M. Cooper . (E. Auchincloss, Ed.). Psychoanalytic Quarterly, LXXV/4 pp. 1192-1198.

Nagel, J.J. Performance Anxiety and the Musician. (2006) The American Psychoanalyst (TAP). Vol. 40, No. 2, pp. 16;22.

Nagel, J.J. & Nagel, L., (2005) Animals, Music, and Psychoanalysis. In S. Akhtar & V. Volkan, (Eds.) Cultural Zoo: Animals in the Human Mind and its Sublimations , Madison Connecticut, IUP Press, pp. 177-206.

Nagel, J.J. (2004) Stage fright theory and treatment: One size does not fit all. Medical Problems of Performing Artists. Vol. 19, No. 1, pp. 39-43.

Nagel, J.J. (1999) When is a Music Teacher More Than a Music Teacher?: Psychological Issues in the studio (invited article) American Music Teacher. (June/July).

Nagel, J.J. (1998) Injury and Pain in Performing Musicians: A Psychodynamic Diagnosis. In R.T.. Sataloff, A G. Brandfonbrener., R.J. Lederman, (Eds)Performing Arts Medicine (second edition), San Diego, Calif.: Singular Publishing Group, pp. 291-299.

Nagel, J.J. (1998) Injury and Pain in Performing Musicians: A Psychodynamic Perspective. Bulletin of the Menninger Clinic. Vol. 62, No. 1, winter.

Nagel, J.J. (1996) Stressbusters for Music Teachers. Piano and Keyboard. (Nov./Dec.).